James
"Scooter" Harney is good at two things and two things only:
Pitching...
...and running away from his feelings.
So, when he comes face to face with a high school baseball coach who gets under
his skin like no one ever has before, James isn't quite sure what to do about
it. After all, Ridley is smarmy, annoying, ridiculously good looking…
And worst of all, straight.
Then, James' world is turned upside down one evening when Ridley admits that
he's been having thoughts. Thoughts about James. Thoughts that are making him
question his own identity.
James knows he won't make a good boyfriend, but the way Ridley looks at him,
the way Ridley trusts him, makes James realize that maybe—just maybe—there’s
something worth fighting for.
Line Drive is the second book in a fictional MLB series featuring a
smarmy pitcher good at annoying his teammates and stroking his own ego, a team
ready to win no matter what it takes, a lost single dad who just wants to know
he's doing a good job, and an agreement that wraps both of their hearts into a
tangle. Each book in the Hit and Run Series stands alone, contains no cheating,
and has a happily ever after.
Don’t miss our reviews of the rest of the Hit and Run series!
For book one, Switch-Hitter, click HERE and HERE.
Book
2
Buy Links
Amazon US ~ Amazon UK ~ Amazon Au ~ Amazon Ca
Audiobook (US) ~ Paperback (US)
~ Also Available with
KindleUnlimited ~
Shannan
– ☆☆☆☆
Line Drive is the second book in the Hit and Run series. It can be read
as a standalone without issue.
James Harney is an MLB pitcher. He had a horrible upbringing, spent some time
in jail, and doesn't know what it's like to have someone love him. He loves
pitching but wants more in his life. When he passes a bookstore for sale, he
decides on the spot to buy it. Why? He has no idea. He befriends a trans
teenager with Cerebral Palsy (CP), but he isn't expecting the friendship or the
instant attraction to his father.
Ridley has a career-ending injury and ends up a high school baseball coach. His
marriage crumbled after his wife had an affair. He's always had an attraction
to men but never acted upon it, but now that he's free to, he isn't ready to
even admit it to himself, let alone go out with a man. But when he's faced with
a man he's always admired, he can't get James out of his mind.
Phoenix, Ridley's son, is a smart mouthed amazing character despite of the
battles he faced being trans and having CP. While I did enjoy this read, the
first quarter was so much backstory and not enough between the two characters.
I enjoyed when they did finally get together, with Phoenix's help, and the
battles that they faced. I just wish there was more content with them together.
Erica
– ☆☆☆
Line Drive is the second installment in the Hit and Run series. While it
can be read as a standalone with little to no confusion, I suggest reading Switch-Hitter
first, as well as the novel, Nothing Ordinary, where the cast of
characters is introduced.
I'm going to go against the current here, while everyone else is most likely
basking in the warmth of James and Ridley's love...
James is an MLB star with a dark backstory, an inspiration that did the
impossible by making it to the big leagues.
After a career-ending injury and a life-altering divorce, Ridley is a high
school coach and father to a trans son with CP.
James and Ridley share more in common than baseball... they're desperately
lonely.
Sounds deliciously angsty, with a meddlesome teen playing interference, right?
Complex and deep, with all the issues addressed...
There wasn't much happening during Line Drive, other than a bunch of
inane filler, telling not showing, and feet dragging. The emotions were surface
level, not deeply explored. Our love interests barely had contact throughout
most of the novel, outshined in every way by the son, Phoenix.
James and Ridley didn't meet until the 25% mark... a quarter into the novel.
I'm a sucker for delayed gratification but this was at the expense of any
connection felt between James and Ridley. Not much of anything happened in the
first quarter that couldn't have been condensed so that James and Ridley had
enough time to develop a connection, just inane daily activities that felt like
transitional filler.
Phoenix felt like the main focus, as awesome as the kid was written, to the
point it was to James and Ridley's detriment. They weren't as interesting, as
gripping, and had one-note personalities, but this wasn't Phoenix's novel.
The budding friendship between James and Phoenix was sweet and heartwarming.
The complex relationship between a father and teen son was realistically
portrayed. Ridley's desire for intimacy and connection was peppered throughout,
resonating with this reader, as well as James' loneliness and need for a life
partner by his side. Their insecurities would ring true, but it felt as if
those issues were merely a plot device not deeply ingrained into the
characters.
James and Ridley's connection to Phoenix was the only highlight, and without
him, there wasn't really much content. The romance was insta-love with surface
level emotions, told but never shown, and it left me frustrated.
There was no connection between Ridley and James. A quarter of the novel with
no contact, where they just did inane things that did not add to character
development outside of interacting with Phoenix. Then it was straight to sex,
implied I love yous, being ghosted, and pining for one another. They had little
to no interactions during the entire novel outside of sex, phone sex, or Ridley
blowing James off (and not in a good way). No meaningful conversations that a
solid relationship is built, those conversations were shared with side
characters.
With so few scenes shared, outside of between the sheets action, James'
connection to Pietro, to Phoenix, even Orion, was more complex than a handful
of texts with Ridley, since they actually spent page-time together and
discussed actual important issues. James and Ridley met at 25%, had two
on-page interactions up to 70%, then didn't share a single page together until
90%. Since this was a shorter novel – no harm in that – it was only a handful
of pages at time, where it's hyper-speed on the romance and sex without any
buildup or connection.
The classic "getting in your own way" with no outside forces being
the issue, no matter how badly Ridley seemed to have wished they would. The
only angst/drama was Ridley not giving James the time of day, and this lasted
well up to 90% of the novel, and it wasn't due to Ridley stepping out of his
own way either.
This lack of time spent together, as well as the feet dragging (which was to
slow the insta down but had no real reasoning), left me disconnected from their
romance. Ridley was more worried about how his ex-wife and son would think of
him, when they both outright told him to knock it off multiple times... and he
still made excuses, which made me feel as if he didn't feel for James as he
professed inside his inner monologues. Actions speaking louder than his
thoughts, especially when those actions mirrored his words to James. Ridley
reminded me of someone who thought everyone was always up in his business when
they all wished he'd get a life and get out of their business – self-important
and controlling.
Ridley never stopped dragging his feet, leaving it up to James. This does not
make a strong romantic hero. I was not Ridley's biggest fan, and I thought
James deserved someone else.
While I liked James in current times, he had this huge backstory that was just
a blip of info-dumpage and that's it. There were bits left dangling, as if they
would be expanded on later, then just dropped off. Names mentioned, events
thought around, like it was to impact the story later. A large info-dump in the
beginning, then just muttered or thought snippets that popped up in relation to
Phoenix and parenting. What should have had a deep impact was a shallow plot
device never explored properly or developed.
Even Ridley's fear of coming out was just a few words tucked in here or there
to explain away dragging his feet since Phoenix couldn't be used as an excuse
any longer. It felt inauthentic and made Ridley seem not as into James as James
was into him, which contradicted what the reader was "told." Between
the ex and the son begging Ridley to date, it made zero sense either was a
viable excuse not to date James.
I felt like the book picked up threads and then never went in that direction.
The backstory. James helping Ridley's team. An actual conflict between the
lovers. The phrase "pulled the hit" comes to mind. The hit was
pulled, so it had no impact.
I wanted to love Line Drive, but it doesn't matter what dark and gritty
backstory was given, or the plight to side characters, when the characters are
just there "in" the pages and not actually living their story
"on" the pages.
The previous novels featuring Gabriel and Pietro captured my interests, made me
feel true emotions, and had me rooting for the characters, both on my reread
list. To be honest, in the future, I'd skip this installment.
E.M. LINDSEY is a non-binary, MM Romance
author who lives on the East Coast of the United States. When they're not
working, E.M. is spending time on the beach, kayaking, swimming, and playing
with their dogs.
Connect with E.M.
Lindsey
Facebook ~ Instagram ~ TikTok ~ Website ~ Goodreads
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Group: Lindsey's Liaison
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Reviewers on the Wicked Reads Review Team were provided
a free copy of Line Drive (Hit and Run #2) by E.M. Lindsey to read and review.
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